What if your familiar reality is nothing but a maze of trick mirrors? And what if you yourself are a part of this self-interpreting entity, a distorting mirror?
Oddly enough, this project started with me looking for parallels between Nietzsche's eternal recurrence and fractals, but I ended up exploring the idea that truth is impossible. This paper sculpture is symmetrical and composed of two visually identical parts that, as one moves away from the centre, grow less and less similar to one another.
What if your familiar reality is nothing but a maze of trick mirrors? And what if you yourself are a part of this self-interpreting entity, a distorting mirror?
Oddly enough, this project started with me looking for parallels between Nietzsche's eternal recurrence and fractals, but I ended up exploring the idea that truth is impossible. This hand-cut sculpture is symmetrical and consists of two visually identical parts that, as one moves away from the centre, grow less and less similar to one another.
The aim of this artwork was to capture the longing for the ultimate state of peace. This sculpture depicts a foetus in the mother’s womb, which I believe is the only place where one is truly at peace, as one is not yet self-aware and is free from existential dread. Hands and faces surrounding the foetus represent the hardships awaiting them once they are born.
With only a scalpel and a stack of thick white paper, I tried to capture the essence of this precious stage of life. To produce more natural-looking textures, I painted over the cutouts and soaked them in PVA glue until they stiffened.
The aim of this artwork was to capture the longing for the ultimate state of peace. This sculpture depicts a foetus in the mother’s womb, which I believe is the only place where one is truly at peace, as one is not yet self-aware and is free from existential dread. Hands and faces surrounding the foetus represent the hardships awaiting them once they are born.
With only a scalpel and a stack of thick white paper, I tried to capture the essence of this precious stage of life. To produce more natural-looking textures, I painted over the cutouts and soaked them in PVA glue until they stiffened.
This project required me to pick a certain song or album and create an illustration inspired by it. So I pretended that Schwarzer Engel's song "Der Sturm" was a single and designed a record sleeve for it. My aim was to communicate its solemn atmosphere and portray man's vulnerability before the forces of nature.
This project required me to pick a certain song or album and create an illustration inspired by it. So I pretended that Schwarzer Engel's song "Der Sturm" was a single and designed a record sleeve for it. My aim was to communicate its solemn atmosphere and portray man's vulnerability before the forces of nature.
It just so happens that the vast majority of Steppenwolf book covers feature a wolf, which trivialises Hesse’s idea and reduces Harry Haller’s multifaceted personality to the platitudinous "two souls in one body."
The aim of this project was to find out what communicates Hesse’s ideas better than images of werewolves. Apparently, one of the possible solutions to this problem is to create illustrations filled with symbols and allusions so that the reader can recognise something familiar and rely on that piece of information when forming their initial opinion about the book.
It just so happens that the vast majority of Steppenwolf book covers feature a wolf, which trivialises Hesse’s idea and reduces Harry Haller’s multifaceted personality to the platitudinous "two souls in one body." The aim of this project was to find out what communicates Hesse’s ideas better than images of werewolves. Apparently, one of the possible solutions to this problem is to create illustrations filled with symbols and allusions so that the reader can recognise something familiar and rely on that piece of information when forming their initial opinion about the book.