alcohol-based markers, fineliners, watercolour, coloured pencils

Gallery

Things I create are visual riddles that require patience and an eye for detail; every stroke, shape, and colour conceals layers of meaning, inviting viewers to engage in a playful dance of interpretation.
My game has no winners or losers because
I believe that there are no wrong answers in the dialogue between art and audience.
Superiority
A3, 2021
The Fishmonger
A4, 2018
Morana's Embrace
A3, 2023
Dysphoria
A4, 2018
I Am Sick of Feeling
A3, 2023
Mother Night
A4, 2018
FAQ:

What inspires you?

My style has formed under the influence of M.C. Escher and Ernst Fuchs.
Of all things I love, 20th-century literature is the main source of my inspiration. Yet my work is more than a mere visual accompaniment to my favourite stories. My aim is to reimagine them and offer a new vision, all because I believe that ideas are alive as long as they are discussed.
Apart from that, I also use art as a cathartic outlet.
The Split
А3, 2019
Apoptosis-9
A3, 2017
Changing the Wheel. A3, 2021. Based on the eponymous poem of Bertolt Brecht.
I sit by the roadside. The driver changes the wheel. I do not like the place I have come from. I do not like the place I am going to. Why with impatience do I Watch him changing the wheel?
The Murderers of All Murderers: We Are on Fire
A3, 2020
I Am
A3, 2018
Magister Ludi
A3, 2018
FAQ:

Do your drawings have meaning?

They absolutely do! I express myself using literary allusions, cultural references, and symbols, which are often derived from dream sequences and archetypal imagery.
I also communicate my messages through shapes, colours, and lines. It is of paramount importance to me that my drawings have some hidden meaning aside from their emotional component.
Raskolnikov
A4, 2017
Ode to Sappho
A3, 2021
Paranoia
A3, 2024
Midday
A4, 2017
Im Nebel (In the Fog)
A3, 2021
Pestilence
A4, 2018
FAQ:

What media do you use?

As you might have guessed, I favour traditional media: different kinds of pens, alcohol-based markers, coloured pencils, and watercolours.
On rare occasions, I also use Photoshop and Procreate to edit or animate my drawings.
The Sun is to Blame for Everything
А4, 2017
Eve
A4, 2021
Gnosis
A4, 2017
The V-Effekt, or Where to Get a Ticket to Castalia
A4, 2021
The Tower of Babel
A4, 2018
Chrono-Synclastic Infundibulum
A4, 2017
I Am Not Afraid to Die, I Am Afraid I Will Survive and Have to Watch You Suffer
83 x 54, 2022
The Kiss
A5, 2017
Laughter of the Immortals
A5, 2017
What Mirrors Dream About
A4, 2019
Bringing the Dawn
A3, 2019
The Forbidden Fruit
A4, 2018
Walhalla
A3, 2019. This drawing is me reflecting on how the state exploits the concept of heroic death.
The Blue Summer and Mrs Wave
A4, 2018. This drawing explores the role of female characters in And Quiet Flows the Don by Mikhail Sholokhov.
Hypochondriac
A4, 2017
Redeem Us of All Inequity
A3, 2021
When Will You Ride Again?
A3, 2021
The Inferior
30 x 30 cm, 2019
Hell Is Other People
80 x 80 cm, 2019
Something I'm currently working on.
Made on
Tilda